Banquet Pavilion The front pavilion at Zheng Estate functions as a high-capacity, open-air structure designed for elegance, flexibility, and immersive guest experiences. It adapts easily between formal dinners, live music, and social events without requiring permanent fixtures or flooring. When used as a dance hall, the pavilion remains open and unobstructed. A DJ station is positioned against the fixed rear wall, while overhead lighting rigs create a soft, sensual atmosphere after dark. High-top cocktail tables with limited barstool seating line the perimeter, giving guests space to mingle between dances. The cabana bar nearby serves as the primary drink station, with guests moving easily between both areas throughout the evening. For banquet-style gatherings, the pavilion becomes an elegant outdoor dining venue. Round eight-person tables are arranged across the floor, comfortably seating up to 75 guests. On-site catering staff operate from serving stations positioned along the rear wall, ensuring smooth service throughout the event. Chairs are cushioned and refined, matching the upscale aesthetic of the estate. The layout maintains generous spacing between tables to preserve ambiance and facilitate conversation. A mobile stage is stored behind Pavilion B when not in use. For performances or presentations, it is wheeled into position along the back wall using locking casters and anchored into place with mooring points embedded in the floor. The freestanding structure spans nearly the full width of the space and can be deployed or removed in minutes by trained staff, depending on the requirements of the evening. Orgasm Pavilion The rear pavilion, known internally as Orgasm Pavilion, is designed specifically to support immersive, high-energy events centered on staged male performances and fluid interaction. Its layout, drainage infrastructure, and seating configuration are uniquely engineered to handle these formats with comfort, hygiene, and efficiency. When used for seated male performance events, a modular false floor is installed across the main area in front of the stage. This floor consists of a grid of lightweight, open-top trough boxes, each three inches deep and arranged to create a stable, raised platform. Every trough is individually numbered and placed in strict numerical order to ensure consistency during setup and teardown. Interlocking PVC drainage tiles are laid over the grid, forming a flush, durable walking surface. Tiles are pre-connected in eight-foot sections to accelerate deployment, and the entire flooring grid is secured to fixed mooring points along the front of the pavilion, preventing any unwanted shifting during use. Staff arrange chairs in fixed-width rows, divided into three equal seating sections—left, middle, and right—each holding five seats per row. While the total number of rows varies per event, the horizontal structure remains constant. This standardized layout supports clear visual lines, consistent guest spacing, and precise alignment with the fluid capture system beneath. Each chair bears a permanent number label starting at 001 in the front-left position and proceeding sequentially. Chairs must be positioned exactly according to the layout, as each group of five aligns with specific troughs in the floor grid. Importantly, the seating layout incorporates a subtle offset. Rather than positioning each row of chairs directly above its corresponding trough row, the rows are shifted slightly backward. This places each guest's feet—and thus any downward discharge—directly over the designated trough row in front of them. For example, the women seated in chair row L1 are aligned with trough number twelve, which lies in front of their chairs, not directly underneath them. Trough number fifteen, located beneath their seats, sees little use. This offset continues row by row to ensure accurate fluid collection across the layout. The Orgasm Pavilion measures approximately thirty feet wide by forty feet deep. The raised false floor covers the front thirty by twenty-four feet of this space and accommodates up to twelve rows of seating. Each row spans twenty-four feet in width, using three parallel troughs (each eight feet long and two feet wide). The mobile stage remains stationed against the fixed rear wall and occupies ten feet of depth. An empty four-foot buffer zone is preserved in front of the stage, separating the performers from the audience and marking the starting point for the raised flooring. Narrow aisles between each of the three five-seat sections offer room for staff movement and visual clarity during events. Female guests are provided with a personal wireless Hitachi Magic Wand, and during performances, they are verbally encouraged to masturbate and orgasm to their limits. Being loud is perfectly fine. As the women begin leaking their juices, pools of ejaculate drip from their chairs into their respective troughs hidden below. Once the orgasms start and moans fill the air, squirting discreetly towards the floor becomes common place. Dripping white ejaculate and every vagina in the pavilion is soaking wet! The real orgasms begin letting loose and some women power spray full bladders onto the floor. We encourage full release as all fluids released during the stage performance are instantly captured by the flooring system below. The grid system ensures women do not ruin their shoes or must step in puddles of squirt. It also provides a sense of privacy knowing all the discharge simply vanished, handled by the drainage layer beneath their feet. Once a seated performance concludes, staff begin immediate breakdown of the space. Chairs are cleared from the false floor area in under ten minutes, allowing access to the interlocking tile surface. These tiles are pre-connected in eight-foot sections and can be quickly disconnected and lifted away for storage. Beneath them, the modular troughs are carefully separated and lifted one by one. All fluids collected during the session are poured into marked collection containers, typically clear plastic buckets with measurement lines to track output volume by each five-seat block. Once drained, the troughs are cleaned thoroughly using hoses and safe-surface disinfectants, then allowed to dry. The entire false floor system is disassembled and stowed until it is needed again for a future event, ensuring the pavilion remains sanitary, visually clean, and fully reset for the next use. For orgies or mixed experiences, the pavilion is configured with 50 rolling bed frames topped with plush bamboo-style mattresses. The beds are arranged in a navigable grid, allowing guests to move freely and comfortably throughout the space. Each mattress is fitted with a clean topper and two layers of white fitted sheets. After each event, toppers are washed and both fitted sheets are discarded as part of standard reset protocol. The layout supports free-form movement and organic interaction without visual clutter or obstruction. The false floor remains in place during bed-based events and continues to serve its core function by draining all fluids released during the experience. At the end of each night, the floor is disassembled, the interlocking tiles are lifted, and each modular trough is manually removed and drained. This integrated system ensures a clean, professional environment is restored quickly and efficiently before the next scheduled use. All flooring tiles, troughs, and bed frames are stored in a secured shed behind Pavilion B. Staff can deploy a complete false floor in approximately thirty minutes, with teardown and drainage taking around forty-five. During active events, all team members wear discreet lanyards and visible credentials. Whether managing seating, staging, or bed arrangements, the crew operates with precision and professionalism, ensuring each event runs seamlessly from the guest’s perspective while maintaining strict operational standards behind the scenes.